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Mastodon
Petite Gordo Prensado, 4½ x 60P
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The Pleistocene megafauna the Cro-Magnon hunted. Gone now, except in the cave paintings. |
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EMH Sabre Tooth
Robusto Extra Rayado, 5 x 56P
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Smilodon, the sabre-toothed cat that shared the Cro-Magnon’s landscape and competed with them for prey. |
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Breuil
Panetela, 5½ x 37
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Henri Breuil, the French archaeologist who documented the Upper Paleolithic cave paintings of Lascaux and elsewhere. The man who showed us what they made. |
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Gran Perfecto
Gran Perfecto, 5 5/8 x 60
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The figurado tapered at both ends — the most demanding shape in any roller’s repertoire. The portfolio’s recurring LE expression of each blend’s outer limits. |
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Blockhead
Gran Toro Prensado, 6 x 54P
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Another caricature of primitive form. Named here, the way the brand names every misperception it intends to refute. |
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Venus
Petite Salamone, 6½ x 56
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The Venus figurines: small carved female forms found across Upper Paleolithic Europe. Among the earliest known representations of the human body. |
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Atlatl
Lancero, 7 x 38
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The spear-thrower. Cro-Magnon weapon technology that extended hunting range and provided the lethal advantage that took down megafauna. |
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Epoch
Churchill, 7 x 48
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The geological time the Cro-Magnon lived through: the Upper Paleolithic, the late Pleistocene. The age in which our culture began. |
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Slobberknocker
Gran Figurado, 7½ x 56
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The fight word, applied to a Cro-Magnon. A reminder that a heavy, solid, strong people would have been formidable in any contest. |